“In real life, there are no bad people. These villagers and relatives are not bad—they just don’t know the reality, other realities. That’s why they think he should get married, or that there should be someone for his mother. Their intentions are good, but sometimes relatives can cross their limits, and that becomes irritating. That’s what I wanted to show.” This gentle portrayal comes from Kanawade’s own experiences growing up, particularly the acceptance he received when he came out to his parents in 2013, after a breakup. He recalls being scared at first, having only heard tragic coming-out stories, and doubting that his chauffeur father, who hadn’t finished school, or his illiterate mother could understand.
Initially hesitant, Kanawade eventually showed his father a picture of his ex, who simply asked, “Is he your friend?” Kanawade replied, “He’s more than a friend. He got married to a woman because he couldn’t tell his parents. I don’t want to do that.” His father understood immediately. He said: “If you know about yourself, that’s what’s more important,” a line that Anand repeats in the film.
“That conversation ended in two minutes,” adds Kanawade. “I experienced a positivity I never thought I’d experience. And I realised that my parents love me.”
